Artifak cultural revival, tourism, and the recrafting of history in Vanuatu Hugo DeBlock.

By: Material type: TextTextPublisher: New York Berghahn Books 2019Description: xii, 265 pages illustrationsContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781789200423
  • 1789200423
Subject(s):
Contents:
Introduction. Art and commodity in Vanuatu -- Art, anthropology, and tourism -- Arts of Vanuatu -- Making authenticity -- Selling authenticity -- Commodities and authenticity -- Museums -- Conclusion. Artifak: the value of art in Vanuatu.
Abstract: In Vanuatu, commoditization and revitalization of culture and the arts do not necessarily work against each other; both revolve around value formation and the authentication of things. This book investigates the meaning and value of (art) objects as commodities in differing states of transit and transition: in the local place, on the market, in the museum. It provides an ethnographic account of commoditization in a context of revitalization of culture and the arts in Vanuatu, and the issues this generates, such as authentication of actions and things, indigenized copyright, and kastom disputes over ownership and the nature of kastom itself. (Provided by publisher)
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
book Library of Ethnosociology & Ethnohistory 131.144 ASE Available

Hugo DeBlock is a Guest Professor at Ghent University and The Royal Academy of Fine Arts, Ghent, Belgium. He has carried out extensive fieldwork in Vanuatu, and his most recent research focuses on visual anthropology, film, and representation in Vanuatu, Zanzibar, and Tanzania.

Includes bibliographical references and index.

Introduction. Art and commodity in Vanuatu -- Art, anthropology, and tourism -- Arts of Vanuatu -- Making authenticity -- Selling authenticity -- Commodities and authenticity -- Museums -- Conclusion. Artifak: the value of art in Vanuatu.

In Vanuatu, commoditization and revitalization of culture and the arts do not necessarily work against each other; both revolve around value formation and the authentication of things. This book investigates the meaning and value of (art) objects as commodities in differing states of transit and transition: in the local place, on the market, in the museum. It provides an ethnographic account of commoditization in a context of revitalization of culture and the arts in Vanuatu, and the issues this generates, such as authentication of actions and things, indigenized copyright, and kastom disputes over ownership and the nature of kastom itself. (Provided by publisher)